Thursday, February 7, 2008

Valentine's CYOA, Chapter 7

From now until Valentine's Day, the Manuscript Mavens are running a Choose Your Own Adventure® story, in which YOU vote on what happens next! Every morning brings a new author, from the Mavens to the just-sold, to the best-selling. And every night brings a new twist!

Get your Choose Your Own Adventure® votes in by 7:00pm EST (4:00pm PST) and you'll be eligible for random prize drawings, where you can win books by our Guest Mavens! Vote every day, and you'll even be eligible for the Grand Prize. (More info: here.)

For yesterday's installment, click here. To read the previous chapters in order, click here.

Chapter Seven

I lurched to a halt. “Did you say a pink van?”

He let go of my arm and turned to face me. “Yeah, why?”

“Because I saw one pull up in front of Mrs. Peterson’s house this morning.” The driver, dressed in a bright red jumpsuit and red cap, had delivered the old lady a big heart-shaped box of chocolates. And to think I’d hoped that delivery was for me. No such luck. I got all the crazies, none of the chocolate. Then again, I ended up with Special Agent Hunky McMuscles and poor Mrs. Peterson ended up with a package of god-knows-what. Based on my experiences thus far, she probably intercepted explosives. With luck, she and her teacup poodle were still alive. “Is the package dangerous?”

“Yes.” Brant guided me away from the river toward an invisible path between the foliage. “Money always is.”

“Money? How much money?”

He shrugged one leather jacket clad shoulder. “Half the payment.”

I lifted my eyebrows. He remained mum. No way was I letting him get away with his strong silent crap.

“Which, in people terms, is...?” I prompted, nudging his bicep with my shoulder.

His fingers threaded through mine. Maybe because he wanted to hold my hand, and maybe because he didn’t approve of impromptu moshing. His dark-lashed eyes lifted slowly. “Two million.”

“Dollars?” I screeched.

He slapped his free palm over my gaping mouth, filling my nostrils with the increasingly familiar scents of man and danger.

“Euros,” he corrected softly. “Nobody asks for dollars anymore.”

“You sent Mrs. Peterson two million euros?!” I demanded. Or tried to demand. With the warm strength of his hand still pressed against my lips, it came out mostly like, “Ew smurrgle smurrgle oh?!”

He apparently found my garbled outburst preferable to my usual commentary, because he kept his palm cupped over my mouth, tightened the fingers of his other hand around mine, and led me deeper into the woods.

No dappled sunlight streamed through leafy green branches. No leafy anything in February. Matted brown weeds and dry grey sticks covered the grassless ground. The skeletal branches of the densely packed trees loomed over us, their knobby limbs creaking like rocking chairs on a hollow porch.

Being the spooky time of night where the last of the sun’s light sank below the horizon but the stars had yet to make their appearance, I didn’t remotely mind clutching Brant’s hand like a teenage girl at a haunted house. I did, however, mind the continual presence of his palm curved across my face.

So I bit him.

To his credit, he didn’t scream like my brothers used to do when I had to get dental in retaliation. Nor did Agent Brant stumble. He was probably used to people taking a bite out of crime fighters. He swore under his breath and soldiered on. Fine. I’d give him something he wasn’t quite so accustomed to.

I licked him.

Not any quick, sloppy, eager-puppy nonsense, either. A long, slow glide of my tongue across the length of his palm. He tasted like salt, like man, like... popcorn? Just to make sure he knew it was no accident, I licked him again, partly because I’m a sucker for popcorn, and partly because licking him sort of turned me on. I traced a Valentine’s heart on his palm with the tip of my tongue. Slowly. Softly.

He stumbled. Score.

Then he yanked his hand from my face, jerked me into his arms, and covered my lips with his. By the time my back thumped against the closest tree, I had my fingers jammed into his hair and he had his rock hard thighs plastered against mine.

I suckled his lower lip, teasing him. He slid a hand beneath my shirt, teasing me. My front-clasp bra proved no match for a man whose survival skills made Evil Knievel look like a sniveling wuss. Before I could say, “Good God, take me right now, up against the bark,” his five o’clock shadow scraped across the underside of my breast and my nipple elongated itself into his mouth.

I would happily have continued in that vein for another twenty or thirty minutes, were it not for a faint metallic tinkling on the other side of a thatch of trees.

“What’s that?” I whispered. “Sniper?”

Brant’s lips paused around my nipple for a split second before he breathed, “No... bicycle bell!” and jerked me through the shadows toward the noise.

He refused to let go of my hand, which is why I was still fumbling with my bra clasp when we emerged onto a rutted bike trail. Brant may think he commandeered that royal blue ten-speed, but I take full credit for distracting a pre-teen boy with my bare nipple.

After tossing a couple twenties at the dumbstruck kid, Brant leapt onto the bike and hauled me into his lap. Well, the crossbar between the handles and his lap. His arms locked onto the handles, his legs pistoned the pedals, and we careened through the woods so fast it took me five minutes to get my boobs situated properly.

I leaned back against Brant’s chest. “Are we safe yet?”

“No.”

“Damn.”

“Why?”

“You promised as soon as we were safe, you'd let me bitch at you the rest of my natural life. Thanks to you, I flashed a twelve-year-old. I’d like to scootch the timeline up a bit so I can start my bitching now.”

“Raincheck. I promise.” He kissed the top of my head. The zipper of his black leather jacket dug into my shoulder and the barrel of his gun pressed into my rear, but I snuggled against him anyway. The heat from his body spread across mine. “First we have to find Imelda Branchos.”

“What does she look like?”

“Right now?" He hesitated for a split second. "Like you.”

He couldn't see it, but my eyes just narrowed. “How much like me?”

“Check my jacket.”

I slid my hand into his pocket. I felt some keys, a few coins (probably euro), and a crumpled photograph. I pulled out the photo.

“Holy crap,” I breathed, staring at a familiar pixie cut and dimpled smile. “It’s me.”

“No, it’s Imelda Branchos. She just looks like you.”

“Exactly like me. Is she... is she my secret twin?”

“Um, no. How cliché would that be?” He pedaled a little faster. “Imelda is the famous Latina double agent known to the U.S. government as 1000 Faces. She must’ve borrowed yours for her last assignment.”

“Borrowed it?” My fingers dug into his thighs. “How do you ‘borrow’ someone's face?”

“Plaster of Paris.”

Ah. Why didn't I think of that?

“You didn't think maybe I was the original, not the copy?”

“Once I saw you shoot a gun, there was no question.” He paused, no doubt to lament the loss of his safety glass. “But when you told me your name was Cara...”

I twisted around to stare at him. “What does my name have to do with some Latina 007 who let me keep my identity but stole my face?”

“Cara is Spanish for ‘face’. I thought it was an inside joke.”

“You secret agents are a laugh a minute.” I glanced over his shoulder, half-expecting to see Stripper Girl following us on a pair of roller blades. “Who was the crazy chick chasing us?”

“Official intelligence believes her to be Nikita Kournikova, a lethal rogue operative and part-time ice cream truck driver. Or maybe it's Imelda having a little fun with another face.”

My jaw clenched. “She’s a laugh riot, all right. If I ever meet that woman, I'm shanking her with a machete.”

His deep chuckle ruffled my hair. “You have a machete?”

“In my closet,” I admitted. “Next to my collection of thigh high vinyl stilettos.”

Brant sucked in his breath and said nothing.

We coasted in silence until I wiggled against him and murmured, “You have something against a woman's legs being encased in shiny, cherry-red vinyl?”

“Cara mia,” he growled, “that’s no gun pressing into your derrière, but it still might go off if you keep talking about vinyl stilettos.”

Every man has his weakness. Glad as I was to have found his, I’d prefer his “gun” going off somewhere we both could enjoy it.

“I’ll talk about something else,” I promised. “I’ll talk about work. That’s plenty boring.”

“Good.” He shifted. Ostensibly to get comfortable, but I was pretty sure he just wanted to make sure I felt what I was up against. Literally. I hadn’t been this close to third base since... well, let’s just say it’s been a while.

“I spend my nights as a researcher at a sleep clinic,” I told him. “I stroll down the quiet halls in a little white nurse’s outfit with bare legs and high heels and I bend over each patient to—”

One of his arms left the handlebar to lock around my waist, nestling my heinie tight against his... gun. “You’re not funny.”

“I’m actually not joking,” I admitted. “The costume alone added a zero to my salary.”

“No wonder,” he muttered. “I could be talked out of my paycheck easy for a chance to see you dolled up like that.”

I grinned into the breeze. “Swing by the sleep center any weekday after dusk and show me what you’ve got.”

His hips tilted against my rear. “There’s beds?”

“Lots.”

“I’m there.”

But we weren’t there. When our bike burst free from the woods, we were:

A) Half a block from Mrs. Peterson’s backyard. I couldn’t see her, her poodle, or the two million euros, because approximately one zillion flashing cop cars cluttered the block. She must’ve heard me ask her to call 911 when I thought I was being kidnapped. Now we’d never get the damn package.

B) On the bridge heading back into town. His car was still smoldering on the river embankment below. Firemen and cops dotted the river. Brant ditched the ten-speed for a police-issue motorcycle and beckoned me to join him.

“Are you sure stealing a cop vehicle is a good idea?” I asked doubtfully.

“Of course not,” he said with a sexy grin. “Get on.”

C) Face to face with my twin sister. Er, I mean the Bitch of 1000 Faces, who took mine without asking.

“Next time you wanna borrow someone’s face,” I shouted, “say ‘pretty please’!”

Her smile was feral. I mean feral-feral, like a rabid cougar. And the way she leapt into the air at us... I was pretty sure I shouldn’t have provoked her.

D) Oh. Wait. Yeah, that’s definitely the sleep clinic. He obviously wasn’t kidding about his desire to get horizontal (and I had to admit I wasn’t against that plan, in general) but I had to believe a focused secret agent like Brant had an ulterior motive for instigating Bring A Hottie To Work Day. Were my employers somehow wrapped up in the evil schemes?

YOUR TURN: You decide what happens next! Leave your vote in the comments by 7pm EST (4pm Pacific) every day between now and Valentine's Day---Tomorrow's story continued by Terri Reed with the twist YOU choose!

Today's installment brought to you by Erica Ridley. Vote to win a great prize!

Don't forget to join the Manuscript Mavens' quarterly newsletter on the right for advance notice of other exciting upcoming events!

Wednesday, February 6, 2008

Valentine's CYOA, Chapter 6

From now until Valentine's Day, the Manuscript Mavens are running a Choose Your Own Adventure® story, in which YOU vote on what happens next! Every morning brings a new author, from the Mavens to the just-sold, to the best-selling. And every night brings a new twist!

Get your Choose Your Own Adventure® votes in by 7:00pm EST (4:00pm PST) and you'll be eligible for random prize drawings, where you can win books by our Guest Mavens! Vote every day, and you'll even be eligible for the Grand Prize. (More info: here.)

For yesterday's installment, click here. To read the previous chapters in order, click here.

Chapter Six

“We have to cross it.”

“No way in hell.” I took a step back. “Don’t you dare push me, Pretty Boy.”

He reached out and grabbed a fist full of my shirt. “My name is Jayson Brant. Special Agent Jayson Brant. And we cross this river or we die.”

I howled in pain. He’d grabbed more than just my shirt. Let’s just say I should’ve worn my padded push-up bra this evening. And I would have, too, had I known a hunk as gorgeous as this one was going to ring my doorbell—only without all the guns in tow. But no, I was wearing my skimpy lace bra that hooked in the front and offered zero protection to my poor nipple.

“Quiet!” His breath blew scorching hot in my ear as he nearly pressed his lips against it. “Now they’ll know just where to find us.”

I gritted my teeth, if only to keep from screaming in agony. “Nice to meet you, Agent Brant. Now would you please let go of my nip—I mean shirt!”

He released his death grip. I rubbed the flat of my palm over my sore shir—I mean nipple.

He lowered his head as if to look at my hand, and I self-consciously snatched it away. Sheesh. I’m not exactly in the habit of feeling myself up in front of hot-looking guys. Or anyone, for that matter.

But maybe he didn’t notice—it was getting pretty dark now. “Listen to me, Cara—we have to cross that river.”

I gazed across the expanse of water to the opposite bank, as panic swelled in my throat. “How? I can’t swim. And aside from it being February, did my scummy backyard pool look as if I’d taken a dip recently?”

“Maybe I was too busy trying to avoid getting shot to notice the state of your pool. Never mind. We’d be sitting—or I should say paddling ducks anyway. What’s to stop those maniacs from shooting us while we cross it?” He glanced around. “All right, let’s keep following the river this way until we can figure a way out of here.” He grabbed my arm, his knuckles barely grazing the side of my breast. Hot excitement shot through me as I followed him, panting like a hound.

Was I lusting for this hunk, or was I just sweaty and out of breath from running for my pathetic life?

“Can’t you go any faster?” he asked.

“Hey, be thankful you rang my doorbell!” I shot back. “Maybe you’d rather have old Mrs. Peterson trying to keep up with you in her fluffy pink bunny slippers.”

“Mrs. Peterson doesn’t have the package,” he ground out. “You do.”

“Look, I’m telling you for the last time—” Though I had the bleckiest feeling I wasn’t even close to telling him for the last time, “—I don’t have ‘the package’!”

“You should’ve gotten it this morning. A big red, heart-shaped box delivered by a driver in a pink van.”

My heart tripped as I lurched to a halt. “Did you say a pink van?”

He let go of my arm and turned to face me. “Yeah, why?”

A )“Because I saw one pull up in front of Mrs. Peterson’s house this morning.” The driver, dressed in a bright red jumpsuit and red cap, had delivered the old lady a big heart-shaped box of chocolates. And to think I’d hoped that delivery was for me!

B) “Because I think I saw one—” I broke off my words as he swayed and clutched a hand to the side of his head. “Agent Brant, are you all right?”

He gasped for breath. “Cara . . . remember when I was bleeding from the head in . . . the car . . . ? Well, I think . . .”

C) All I could blurt out was, “Who in their right mind drives around in a pink van? What sort of dumb secret agency do you work for, anyway?”

“The same one that’s been watching that little sleep clinic where you work. It seems they’re also into—” And then a gunshot cracked through the woods.

D) I stared at him in shock.

“Cara, answer me. Did you see a pink van, or didn’t you?” Irritation simmered beneath the surface of his hot, sexy baritone.

“Yes,” I whispered.

He grabbed my arm again, only this time his knuckles didn’t brush the side of my breast. “When, Cara? Where?”

And then a glaring light suddenly flashed in our faces. “Freeze, both of you!” bellowed a man’s voice.

YOUR TURN: You decide what happens next! Leave your vote in the comments by 7pm EST (4pm Pacific) every day between now and Valentine's Day--Tomorrow's story continued by Maven Erica with the twist YOU choose!

Today's installment brought to you by Karen Lingefelt. Vote to win one of Karen's books!

Don't forget to join the Manuscript Mavens' quarterly newsletter on the right for advance notice of other exciting upcoming events!

Tuesday, February 5, 2008

Valentine's CYOA, Chapter 5

From now until Valentine's Day, the Manuscript Mavens are running a Choose Your Own Adventure® story, in which YOU vote on what happens next! Every morning brings a new author, from the Mavens to the just-sold, to the best-selling. And every night brings a new twist!

Get your Choose Your Own Adventure® votes in by 7:00pm EST (4:00pm PST) and you'll be eligible for random prize drawings, where you can win books by our Guest Mavens! Vote every day, and you'll even be eligible for the Grand Prize. (More info: here.)

For yesterday's installment, click here. To read the previous chapters in order, click here.

Chapter Five

D) His equally snappy reply was cut off by the sick cough of a dying engine. I sputtered right along with the car.

"You have got to be kidding me."

"I rarely joke. Jump!"

Why do the pretty ones always have to be so crazy? I curled my fingers around the door handle, took a deep breath, and pushed it open. “For the record, I think this is a very bad idea!”

“Lady, if you don’t jump...”

“What? You’ll kill me?” The car slowed and started to jerk. “This has a huge suckage factor!”

He shoved me then, and I started plotting his murder the second I landed on the ground. I hit the side of the embankment seconds before he rolled on top of me. Breathless, I closed my eyes at the sickening sound of metal crunching.

“Get off me, Bucko!” I shoved my shoulder into his chest.

He groaned and rolled off me. “Are you alright?”

“You pushed me out of a moving car, Jerk Face.” I pushed myself to my knees and glanced around. “Is she gone?”

“I’d rather not wait around to find out.”

I took the hand he held out and let him pull me to my feet. “Look, pretty boy, I don’t know what you are into here...”

His hand clamped down over my mouth as he shoved me backward against a tree. The heat of his body was almost enough to make me forget how much trouble we were in.

“Why do the beautiful ones always have be to so mouthy?” he asked softly.

I clenched my teeth into his hand, but let go abruptly when two men with ginormous guns jogged past us and headed toward the tangled mess of the car.

Our eyes met in the darkness. I’m sure I looked like a co-ed in a slasher flick, wide-eyed and waiting to die, but his were hard, determined.

He tucked his face close to mine and spoke softly. “We’ll have to move fast. No complaining, no bitching. I promise when we’re safe I’ll let you bitch at me the rest of your natural life. But, now, I need quiet. Do you understand?”

I could only nod. Amateur, yes. Scared, yes. Too stupid to live, big fat no. I wanted to survive. I wanted to find out if Mr. Too Sexy for Words lived up to his nose.

I closed my eyes as his hand lifted from my mouth and was replaced by his firm, warm lips. Tears slipped past my eyelashes as I opened for his gentle exploration. My fingers dug into his forearms, I wanted to hold onto the moment as long as I could. What would come next was just too hard to think about.

All too quickly, he lifted his head. “Ready?”

“Yes,” I whispered. The man gave excellent reassurance.

He brushed the tears from my face, grabbed my hand, and pulled me away from the tree. Our pace was swift, and I did my level best to be quiet, but I’m certain I sounded like a heard of elephants moving through the forest all by myself. Stealth had never been a gift of mine.

“Where the hell is she?”

I jerked at the sound of the stripper’s voice and Mr. Dark and Dangerous pulled me close and sought cover behind a large tree. Pressed between him and yet another tree, I sighed softly. “I hate nature.”

He buried his face against my neck, a soft laugh escaping his lips. “Shh.”

I was going to hold him to his promise. Bitching had always been a hobby for me; but after tonight, I was pretty sure I could make it an art form. The sharp sound of wood breaking to the left of us made him jerk against me, and he lifted his gun. Another movement, another breaking branch, and he fired.

The sickening thud of a body hitting the ground followed the report of the weapon, and I turned my head. The last thing I ever wanted to see was a body. A dead body. A bloody, dead body.

Okay, so I was getting a little fixated.

He moved, jerked me forward, and we started to run. Secret Agent Man was fast, and considering the death grip he had on my hand, I had no choice but to be fast right along with him. Screaming and cursing followed us, and it took everything I had not scream right along with her.

I was never ever ever answering my doorbell again as long as I lived. If I lived. The forest suddenly thinned, and I heard the sound of rushing water just seconds before we broke through, and I saw the river.

“Damn it,” he swore.

The fun just kept on coming, didn’t it?

A) “We have to cross it.”

“No way in hell.” I took a step back. “Don’t you dare push me, Pretty Boy.”

He reached out and grabbed a fist full of my shirt. “My name is Jayson Brant. Special Agent Jayson Brant. And we cross this river or we die.”

B) I started out into the water, and he grabbed my arm. “What?”

He glanced back towards the woods and then down the river. “Let’s go up and try to find another place to cross. The water is too quick here.”

“It’s not going to matter where we cross!"

His mouth tightened into a thin line. "I can't swim."

"Oh, you're shittin' me." I glared. "Dude, what kind of super secret agent man are you?"

His grip tightened. "My name is Scott Morrison, and I'm a vampire hunter not a secret agent."

C) We rushed out into the river together, the water soaked up my jeans up to my knees, and I swallowed a scream of shock at the cold water. "Hey, Roger Ramjet, you think we could manage to make this experience a little more miserable?"

He pulled me up the bank and on to blessed dry land a little rougher than necessary. "My name is James Grimm, and trust me, this situation can only get worse."

D) "Don't move." The action of a shotgun being primed made my stomach clench. "I got her!"

We turned together and he leveled the handgun at our would-be captor. "How much is your life worth?"

The shotgun swung from me to him. "Drop the gun, Jared. You've got no where to go."

"You know me, Carson." Jared stepped in front of me slightly. "You know what I'm capable of. You can drop your gun and get the hell out of here or I can kill you."

YOUR TURN: You decide what happens next! Leave your vote in the comments by 7pm EST (4pm Pacific) every day between now and Valentine's Day.

Tomorrow's story continued by Karen Lingefelt with the twist YOU choose! Today's installment brought to you by Deanna Lee. Vote to win one of Deanna's books!

Don't forget to join the Manuscript Mavens' quarterly newsletter on the right for advance notice of other exciting upcoming events!

Monday, February 4, 2008

Valentine's CYOA, Chapter 4

From now until Valentine's Day, the Manuscript Mavens are running a Choose Your Own Adventure® story, in which YOU vote on what happens next! Every morning brings a new author, from the Mavens to the just-sold, to the best-selling. And every night brings a new twist!

Get your Choose Your Own Adventure® votes in by 7:00pm EST (4:00pm PST) and you'll be eligible for random prize drawings, where you can win books by our Guest Mavens! Vote every day, and you'll even be eligible for the Grand Prize. (More info: here.)

For yesterday's installment, click here. To read the previous chapters in order, click here.

Chapter Four

"Shoot them."

"You so owe me some chocolate when we get out of this mess." I aimed and squeezed the trigger.

When a gun is thrust unexpectedly into your hand, and you've never fired a gun, you have to be willing to learn "on the job." Here's what I've learned so far: It's probably best not to close your eyes when you shoot a gun. Our driver's door would never be the same.

On the bright side, my killing our door sent our car careening, (the hunk is easily startled). Careening meant our heads were no longer precisely where their bullets were aimed. And, in case you ever need to know, bullets fired into a gas tank don't actually make the car explode. Plus we shook some of them off our tail. I count the whole thing a win-win.

Hunk did not. Weenie. However, the man can cuss an inventive blue streak and never take his eyes off the road or repeat himself. I'm guessing my evaluation will not include a smiley face. Hey, if you hire amateurs, then you have to be willing to live with the consequences. No, I did not say that aloud. I'm an amateur, not stupid. Besides, he was driving and I was very much afraid my survival depended on whether his rites of passage into manhood had included running dirt tracks in some backwater little town. We couldn't win a game of demolition derby, but if he could execute some nice weaves and turns, we might just open up enough daylight to survive. Maybe.

I was counting on that maybe. When you're scared, maybe means a lot. It's all you have to hold onto. When I finally risked another look over my shoulder to check on the Black Death rolling behind us, I realized we had opened up a lead. Unfortunately, I didn't think we were heading in the right direction. We'd passed over a small creek bridge, which meant we were leaving the city and all those lovely get-lost-in streets behind us. All I could remember was a corporate training seminar from my bank teller days in which they continually repeated, "Never let them take you to the second crime scene. Your odds of survival go down."

I didn't want to go wherever he was taking me-especially out of the city, but if he'd wanted to shoot me, he could have done so a long time ago. So, point for him. And to be honest, the careening had sent us in this direction away from town. I didn't think now was the time to bring that up.

"Gun." He held out his hand, calm in a way I hadn't seen before. Like he'd let go of some tension and made a decision. His gaze flicked repeatedly from rearview to the road.

I ponied up the pistol. "Look. I'm sorry, but I didn't sign up for the St. Valentine's Day Massacre."

"And that's what's going to get us both killed, Cara. Because Mel did and you're not Mel." He slipped the gun into what had to be a custom holster just to the side and angled under the driver's seat. "Which means we're going to have to do this the hard way. Hold on."

I grabbed the dash and held my breath as he hit the brakes and yanked the emergency while spinning the wheel. Our car wasn't small but we had turning radius to spare compared to the silent, relentless land shark we now faced. As I said, I'm an amateur but I'm not stupid. We were about to play a game of chicken and if the bad guy didn't give, we would surely swallow more than our recommended daily dose of iron.

"I'm not so sure this is a good idea." Well, I was sure, but I was trying to be polite. "I'd like to get out of the car now. Please."

"Weenie."

"They have guns."

"Yes, because you didn't shoot them."

"Which means they're going to shoot us, you moron." Okay, I was snippy. I admit it. This yahoo was about to get me killed. Again. I took back the point I gave him.

He must have decided he was in range again because he pulled the pistol from the holster and fired. The windshield had shattered sometime back. Targeting wasn't hampered by any pesky safety glass. It wasn't that I didn't appreciate his attempts to keep them from firing on us, but I found myself judging the speed of our car and trying to decide if a skid over asphalt on my ass would actually do anything for my cellulite.

Hunkster wasn't budging from his course. He could give lessons in focused. The man was in it to win it. Eyes on the prize. All those clichés which, quite frankly, were beginning to get on my nerves. What a load of crap. They were all code for "too stupid to quit." And I didn't care if he had silver bullets and nerves of steel. We were out-gunned. Even an amateur could see that. I shot a glance out the side window.

"In or out, Cara mia. Either jump or put your damned seat belt on. This isn't a game."

"You think?"

A) He squeezed off another round and as I watched fate bearing down on us, I realized he actually had a plan. The last SUV still following us after our careening episode had four wheels on that bridge and nowhere to go but through us or through the railing. Heaven help me. I was trapped in a car with a cowboy determined to replay the Gunfight at the O.K. Corral. We had to hope the other guy flinched first.

B) "Seriously, put your seat belt on."
He didn't look to see if I obeyed, which would probably have pissed me off, truth be told. He slammed on the brakes again and put the car into the weeds at the edge of the bridge. The car tilted, teetered and slammed hard as we found the sloping embankment. I took a hard return trip to the floorboard muttering, "Rat bastard." He knew I hadn't fastened my belt. Just like he knew all along he wasn't going to push the chicken game.

Not an inch of my body escaped bruising as I clawed my way back into the seat, taking a nice jolt to my head from the door support as the car hit a rut that must've exited in China. Instead of stars, I saw one of those long flat-bottomed fishing boats. And, thankyouJesus, it had a motor. A trolling motor.

C) "I'm pretty sure it's not a game."

That's when I noticed the blood on the steering wheel, seeping through the cuff of his shirt to drip on his leg. Most of his left sleeve was wet with blood.

"I'm really sorry, Cara mia." He slumped.

D) His equally snappy reply was cut off by the sick cough of a dying engine.

I sputtered right along with the car. "You have got to be kidding me."

"I rarely joke. Jump!"

YOUR TURN: You decide what happens next! Leave your vote in the comments by 7pm EST (4pm Pacific) every day between now and Valentine's Day---Tomorrow's story continued by Deanna Lee with the twist YOU choose!

Today's installment brought to you by Debra Dixon. Vote to win one of Debra's books!

Don't forget to join the Manuscript Mavens' quarterly newsletter on the right for advance notice of other exciting upcoming events!

Sunday, February 3, 2008

Valentine's CYOA, Chapter 3

From now until Valentine's Day, the Manuscript Mavens are running a Choose Your Own Adventure® story, in which YOU vote on what happens next! Every morning brings a new author, from the Mavens to the just-sold, to the best-selling. And every night brings a new twist!

Get your Choose Your Own Adventure® votes in by 7:00pm EST (4:00pm PST) and you'll be eligible for random prize drawings, where you can win books by our Guest Mavens! Vote every day, and you'll even be eligible for the Grand Prize. (More info: here.)

For yesterday's installment, click here. To read the previous chapters in order, click here.

Chapter Three

Before he could answer, a car slammed into the back of ours, giving me Alias Season 4-finale flashbacks and probably whiplash at the same time.

All I’d wanted was some chocolate and maybe…maybe a dozen roses. Instead, I’d been propositioned by the stripper from hell, shot at and now I had a seatbelt trying to finish me off. I blinked, forced my eyes to focus and forced my shaky hands to free me.

The car rocked, and I glanced through the back window. A tank of a car straight out of a B-52’s video was backing up, the shooting stripper at the wheel.

“Dude.” I grabbed his shoulder and shook, whimpering when his head flopped around like a bobblehead doll. Blood was dripping a steady trail from a nasty looking head wound. The Buick crashed into us again, throwing me into the dash. Maybe taking my seatbelt off had been a bad idea. “What the heckity kind of savior are you?”

The car backed up again and my little Valentine surprise showed no signs of coming to life anytime soon.

Crapity, crap, crap, crap!!!!

I reached between his legs and grabbed the lever, grunting as I shoved the seat back. David Lee Roth eat your heart out. Climbing over the console I straddled his tree trunk of a thigh. The steering wheel was practically in my chest and the emergency break was working it’s way up my rear. I hit the gas and turned back toward the safety of town, praying for a cop, or MacGyver or hell, at this point I’d take Danny DeVito.

We sped down the four-lane highway playing a ruthless game of bumper tag. The emergency brake shifted with every bump and swerve of the car. I didn’t even want to think about what it was doing to my nether-bits but at this rate, I’d never have kids.

“What the hell—“ came from behind me as I flew past the Dairy Queen.

“Don’t move.”

He grabbed me by the waist and shifted me onto his lap. This was worse than crawling through the hallway! “I hope like hell you know where you’re going.”

The Buick bumped us again, shoving us into the oncoming traffic. I swerved, darting between two pickups, waving at the long horn blasts that followed us. “I’m a little busy.” Hello, car chase!

“Look, Imelda—“

“Cara! My name is Cara! You are the dumbest hot man I ever wished I’d never met.” And where in hell’s half acre was a cop when you needed one? Probably back at the Dairy Queen enjoying the Friday fish fry.

“All right. I’ll play. Cara.”

“Why couldn’t you have been a stripper?” I sighed. This time the Buick hit us hard enough our heads connected and I saw stars. By the time my vision cleared, four huge black SUV’s were coming our way in the opposite lane.

“What do we do, Valentino?”

“Valen—“

The back window exploded, and frigid air rushed in. Screaming, I ducked, and my seat cushion swore, shoving me out of the way. The car spun out of control, and I ended up ass over tea kettle, head in the floorboard.

“What do they want?” I demanded, struggling to right myself. The passenger headrest exploded. I didn’t even want to think what that bullet would have done to my poor toes.

“I told you. The package.” The car spun around again throwing me back down before I could right myself. “And they’re highly motivated.”

No, really?! “Great. Killers with goals.” My feet flapped around, searching for purchase. I couldn’t hold back a grin when one connected with Valentino’s shoulder.

“God, my head hurts.”
“Weenie.” I finally managed to shove myself upright but not without a few more well-placed accidents.

“Weenie?” He glared at me.

“Yeah—“ More glass exploded, and I screamed again. They’d shot out one of the passenger windows. “Do something!”

“Where’s the package, I…Cara.”

“In your pants, okay!”

One of the Suburbans pulled along side us and the passenger side windows rolled down. Two very long, very ugly looking guns appeared.

“Dude.” I shook his arm again and the car swerved toward the SUV.

He shook me off, glanced to his left and pulled a gun out from behind his back, shoving it at me.

“What am I supposed to do with this?”

The “are you kidding me” look he gave me was priceless. If it hadn’t been for the guns pointed at us, I might have whipped out my cell phone and taken a picture. Except, of course, I didn’t have my cell phone. It was in the kitchen, on the charger.

A) “Shoot them.”

“You so owe me some chocolate when we get out of this mess.” I aimed and squeezed the trigger.

B) “Shoot them, shoot me, shoot yourself for all I care, but shoot something!” I aimed the gun at his head. “Stop the car. Now.”

C) “No way. Not in a million Martian years.” I rolled down the window and tossed the gun out onto Highway 82.

D) “Are you out of your ever living mind? These things are dangerous,” I said, thinking of my poor pool. “I’m not…using this.” I threw it back at him. “Guns don’t kill people you know--”
“Men in black Suburbans do. Would you like to trade places with me? I didn’t think so.” He shoved the gun at me.

YOUR TURN: You decide what happens next! Leave your vote in the comments by 7pm EST (4pm Pacific) every day between now and Valentine's Day---Tomorrow's story continued by Deb Dixon with the twist YOU choose!

Today's installment brought to you by Amie Stuart. Vote to win one of Amie's books!



Don't forget to join the Manuscript Mavens' quarterly newsletter on the right for advance notice of other exciting upcoming events!

Saturday, February 2, 2008

Valentine's CYOA, Chapter 2

From now until Valentine's Day, the Manuscript Mavens are running a Choose Your Own Adventure® story, in which YOU vote on what happens next! Every morning brings a new author, from the Mavens to the just-sold, to the best-selling. And every night brings a new twist!

Get your Choose Your Own Adventure® votes in by 7:00pm EST (4:00pm PST) and you'll be eligible for random prize drawings, where you can win books by our Guest Mavens! Vote every day, and you'll even be eligible for the Grand Prize. (More info: here.)

For yesterday's installment, click here:

Chapter Two

D) Before he could answer, a sharp ping sounded in the air, and something shot into the door that I was holding. Holy crap. A bullet. "Let me in!" he exclaimed, pushing at the door.

The chain, despite his bulk, held. I tried to shove the door back at him to create enough slack in the chain so I could save him and his Manilow schnozz, but he was too strong.

Ping! Ping! Ping! Slivers of wood flew all over my porch as the gunman -- excuse me, gunperson -- continued to demonstrate lousy targeting. Which proved the gunperson was the villain, because protagonists have better aim.

He thrust against the door with a broad shoulder, bending the slot that held the chain. “For Chrissake, open the door! You want me to die on your porch?”

“Quit pushing it!” I snapped right back. “I can’t get the chain loose.”

Realization hit him like a skillfully-aimed bullet. I pulled him into the house about two seconds after the whole realization thing.

Didn’t stop the attack, though. Bullets sprayed the front window, shattering glass all over my living room. I shrieked.

“Get down!” Hunkness wrapped a protective arm around my torso and brute-forced me to the floor. He smelled like leather, or his coat did, and his arm was a muscular band of steel. “She’s closer than I thought. We’ll have to make a break for it. You got a back door?”

“You’re insane. I’m calling the cops.” Despite how safe he made me feel, considering he was huge and surely a bullet couldn’t pop all the way through him and get me, I shook him off and crawled as carefully as I could through broken glass. I kept the sofa between me and the bullets. “What the hell’s going on? Who’s shooting at you?”

“Mel, this isn’t the time or place to play dumb. They’re shooting at us both.” He duckwalked into the room, pulling a gun out of an inner pocket.

I wasn’t playing dumb. And I wasn’t Mel. But I’d address that after my friendly chat with the 9-1-1 operator. Now where had I left the damn cordless? Ah, there it was, on the side table.

I slithered. The bullets stopped. Hunkness peeped out the busted window, his gun inching over the sill.

Another spate of bullets rained into my house, taking out the TV. And the phone I’d been reaching for. The gunner couldn’t hit a gigantic guy in a black leather coat silhouetted against a white house but she could murder the phone?

“We have to get the hell out of here before she calls reinforcements.” He crawled over to me and hauled me out of the living room. “Come on. Back door?”

Faster than I ever thought I could skitter, considering sleep techs don’t do a lot of skittering, I skittered towards the kitchen. “Okay, okay. Follow me.”

Like children pretending to be frightened dogs, only without the barking, we scrambled down the hall. His head kept bumping my ass.

“Watch it, Mr. Friendly,” I hissed. Was that his nose I’d felt or was he just happy to crawl behind me?

We reached the kitchen, half-stood, and unlocked back door. After he made some kind of military hand signal I’m so sure I recognized, he shouldered past me onto the porch, his gun up and ready. Aimed to one side. Then the other. When nobody shot him, a good sign, I guess, he gestured and took off. I assumed it was okay to follow.

We raced through my scrubby back yard, him silent, me chugging like a pig on two legs. He vaulted the chest-high chain link fence. By the time I’d climbed it, he was halfway to the next street.

I heard an angry female voice beside my house. “They went out the back! Cut them off!”

I fell the rest of the way over the fence and rolled. Rising to all fours, I glanced in my back yard. Stripper lady, her red lips bared, tottered after me, a gun in her hand and murder in her eyes.

“Imelda!” she shrieked. “Imelda! Brixton! Branchos! Get your bigamist ass back here. We had a deal!”

A gun fired near my head, and Stripper ducked behind my algae-infested aboveground swimming pool. Water streamed out the bullet holes, and I heard her cussing up a regular Texas tornado.

Hunkness had come back for me! And he wasn’t happy about it. He grabbed my arm, shot up my pool a few more times, and half-carried me through the neighbor’s yard. Mrs. Peterson stood on her veranda with her teacup poodle in one hand and a glass of ice tea in the other, goggling as my new friend shoved me into a black car and dashed around to the driver’s side.

“Call 9-1-1!” I yelled at Mrs. Peterson. “I think I’m being kidnapped!”

My rescuer-cum-kidnapper revved the car and peeled out in a cloud of vile-smelling burnt rubber. I fumbled into my seatbelt as he two-tired it around the next turn, then another. Bracing my feet on the floor and my hands on the dash, I nearly broke my neck looking for signs of pursuit. Cops. Strippers. Poodles. Anybody.

“I think we shook ‘em,” he said finally. “You’re a difficult woman to track down. I know I told you to go deep, but Nocona, Texas? A job at a sleep clinic? Talk about dull. I never pictured you for this lifestyle.”

What was wrong with my lifestyle? And who was this guy? He was driving so fast, I couldn’t jump out the door. That would be suicidal. I might be dateless on Valentine’s, but I didn’t want to kill myself over it. “Maybe that’s because I’m not who you think I am. My name’s Cara Heart. I’ve never seen you or that crazy stripper before in my life.”

I tried to tamp down my panic, but I’d just been through a gunfight at the not-at-all-okay corral. Minus the corral. And while this guy’s nose was to die for, I had no idea if he was the lesser of two evils.

“Cut the crap.” He didn’t take his eyes off the road. His nose cast a magnificent shadow in the setting sun. “Where’s the package?”

“I don’t know about any package, and I have no idea who you are besides the guy who ruined my bay windows, my pool, and my day.” I crossed my arms and meditated on the scenery to calm myself. It flew past my window, an Impressionist painting of tans and greens. “This is the worst Valentine’s Day ever.”

“You know who I am,” he said. “I’m....”

A) “I’m your first -- and legal -- husband, Cade Brixton. And I want my share of the money you stole from Sanchos Branchos, the Mexican crime lord you pretended to marry.”

B) “I’m your new handler, and it’s time to bring you back into the fold, Miss Branchos. The Illuminati doesn’t like to be kept waiting. Now tell me where the package is before they change their minds and issue the kill order.”

C) Before he could answer, a car slammed into the back of ours, giving me Alias Season 4-finale flashbacks and probably whiplash at the same time.

D) “I’m really tired of your games...and your smart mouth.” He screeched to a halt on the side of the deserted road, undid his seatbelt, and turned to me with a menacing air. Suddenly his nose didn’t look as handsome. I kicked and clawed, but in the end, he overcame my resistance. He....

YOUR TURN: You decide what happens next! Leave your vote in the comments by 7pm EST (4pm Pacific) every day between now and Valentine's Day---Tomorrow's story continued by Amie Stuart with the twist YOU choose!

Today's installment brought to you by Jody Wallace. Vote to win one of Jody's latest release, A Spell for Susannah!

Don't forget to join the Manuscript Mavens' quarterly newsletter on the right for advance notice of other exciting upcoming events!

Friday, February 1, 2008

Valentine's CYOA, Chapter 1

From now until Valentine's Day, the Manuscript Mavens are running a Choose Your Own Adventure® story, in which YOU vote on what happens next! Every morning brings a new author, from the Mavens to the just-sold, to the best-selling. And every night brings a new twist!

Get your Choose Your Own Adventure® votes in by 7:00pm EST (4:00pm PST) and you'll be eligible for random prize drawings, where you can win books by our Guest Mavens! Vote every day, and you'll even be eligible for the Grand Prize. (More info: here.)


CHAPTER ONE

Who the hell would order a stripper on Valentine's Day?

Isn't it supposed to be a couple's holiday? Fancy dinner for two, a dozen roses, a bit of bubbly, maybe even a big rock. And definitely some hip-to-hip action later on.

But a stripper?

I shook my head at the woman standing at the door. "I'm sorry, you've got the wrong address."

She just looked at me blankly--probably because her eyes were so heavy with glittery blue eye shadow and false lashes she could barely keep them open, let alone focused. Her stringy blond hair was piled in whorls and swirls on the top of her head and the clothes she was wearing...well, let's just say, she looked like a schoolteacher, but that hint of fishnet stocking beneath her knee-length skirt, not to mention the four-inch leopard heels, sort of gave it away.

"I didn't order a stripper," I said. And even if I had...well, it wouldn't be a female.

Come to think of it, maybe it wasn't such a bad idea to have a stripper on Valentine's Day--especially if you, like me, didn't happen to have said Valentine.

This year anyway.

Ah, hell. Not even last year either.

That's what came with being a research assistant at a sleep lab. I spend all my waking hours watching people snore in their little comfy beds in our lab, and much of the day trying to keep the sunlight from blasting through my windows.

People who didn't know me might think I'm a vampire.

Which I'm not. And this isn't a story about vampires, in case you were wondering. I was just making a comparison.

Anyway, I looked at her again, tempted to wave my hand in front of her eyes to see if I could get a reaction. I didn't think she'd blinked once since I opened the door.

"Ma'am," I said again. "I didn't order a stripper. You'd better check the address and see where the mistake was. I'm sure someone," I couldn't help sounding dubious, "is waiting for you."

At last she spoke. Her cherry red lips, plumper than a velvet cushion, moved carefully, as if she was afraid her lipstick would smear. Based on the thickness of it, I'd say not a chance. She was wearing enough color and gloss to cover all of the Baywatch girls. And then some.

"Imelda Branchos?" she said. "1450 Madison Street?"

"Uh, that would be no," I replied. "This is 1450 Madison, but my name isn't Imelda." For some reason, an image of shoes popped in my head. Lots of shoes. "Someone must have written down the wrong address." I smiled a good-bye. "You'd probably better call your...dispatcher or john or whatever. Good luck."

I closed the door.

Why couldn't it have been a male stripper who came to the wrong address? Of course, with my luck, it'd be like the Friends episode where Danny DeVito showed up.

I was just settling back down with a new episode of Grey's Anatomy (one before Katherine Heigl started to get on my nerves) when the doorbell rang again.

I paused it, got up and thought for a moment how pathetic it was that here I sat, on Valentine's Day, watching made-up people save other made-up peoples' lives and falling in love with McDreamys.

I peered through the sidelight at the door. Well, hell-o there! A tall, extremely handsome specimen of male hunkness stood there. Very tall, very straight, and with the best nose I've ever seen on a guy.

I'm a schnozz girl. Because you know what they say about schnozzes, right? The same thing they say about a guy's feet.

It's true.

Trust. Me.

I opened the door, keeping it chained (I may be easily distracted, but I'm not stupid). "Can I help you?" Oh, I'd sure like to!

And....

A) He said, "Hello, I'm Bradley Bulky from StripWorld (We tease better than anyone!) and I have an...appointment (he gave me a sexy grin) with Imelda Branchos. I hope that's you." (His grin turned hotter.)

B) He moved and there was the silver barrel of a gun pointing right at my gut, through the crack of the door. "Well, well, Imelda Branchos. I've been looking for you for a long time. Open the door or I'll do it myself."

C) He flipped open his coat to show a gleaming gold badge that looked very official. And pecs that showed through his tight shirt. "Officer Galahad here. Do you live at this residence? Have you ordered a stripper?"

D) Before he could answer, a sharp ping sounded in the air, and something shot into the door that I was holding. Holy crap. A bullet. "Let me in!" he exclaimed, pushing at the door.

YOUR TURN: You decide what happens next! Leave your vote in the comments by 7pm EST (4pm Pacific) every day between now and Valentine's Day---Tomorrow's story continued by Jody Wallace with the twist YOU choose!

Today's installment brought to you by Colleen Gleason. Vote to win one of Colleen's books!

Don't forget to join the Manuscript Mavens' quarterly newsletter on the right for advance notice of other exciting upcoming events!

Thursday, January 31, 2008

Guest Mavens! Prizes! Mavenabilia!

Maven Erica RidleyWhat's all this exciting stuff going on in Mavenland?! Merchandise, Prizes, an adventure YOU get to make!

That's right, it's the return of the Manuscript Maven CYOA Round-Robin, where every day a new author adds a chapter to a story you choose by voting on your favorite plot twists.

(Click Here to read the 2007 Halloween story, to get an idea of the crazy-hilarious fun just ahead!)

How it Works:
Each new installment will be posted bright and early at 8am EST (5am PST). Be sure to bookmark ManuscriptMavens.com because the voting cutoff is 7pm EST (4pm PST).

How to Win:
Everyone who votes on a plot twist is eligible for a prize! That's right, we're awarding prizes every single day of the adventure. You must vote to win!

What about the Grand Prize?
All MaveFaves who vote every single day of the adventure will be entered into a special Grand Prize Drawing. We will send you the t-shirt of your choice from the brand spanking new Mavenabilia Catalog. Be the first on your cyber-block with a Nitcritty Kitty or Magical Mulch Pile printed on your chest. (But wait! There's more! Check out all 3 sections for the full listing.)

What's the adventure titled?
You decide! As before, on the last day of the adventure, we'll put out a call for titles. Leave as many suggestions as you can dream up in the comments. Winner gets a prize! (Of course!)

What's the starting lineup?

02/01/08
Historical romance writer Colleen Gleason, author of the Gardella Vampire Chronicals.

02/02/08
Jody Wallace writes paranormal comedy, fantasy romance, and Southern women's fiction, including A Spell for Susannah. She has also written several novellas for Red Sage publishing under the pseudonym Ellie Marvel.

02/03/08
Amie Stuart writes erotic romance for Kensington Press and futuristic urban fantasy, including her upcoming book Nailed.

02/04/08
Multi-published author, renowned speaker, and National Reader’s Choice Award Finalist Debra Dixon, author of GMC: Goal, Motivation, and Conflict.

02/05/08
Deanna Lee is the author of numerous print and e-book titles, including Bounty Hunter.

02/06/08
Historical romance writer Karen Lingefelt, author of True Pretenses and past president of the Tampa Area Romance Authors.

02/07/08
Avon FanLit winner and Thursday Maven Lacey Kaye, president and webmistress of Seattle's East Side RWA.

02/08/08
Multi-published author for Steeple Hill Love Inspired, RWA Region 4 director, and RITA Finalist Terri Reed, author of Her Christmas Protector.

02/09/08
Friday Maven Jackie Barbosa writes both historical and contemporary romance with an erotic edge for Cobblestone-Press, including her May release Wickedly Ever After.

02/10/08
Mystery writer Julia Buckley author of The Dark Backward and the Madeline Mann series.

02/11/08
New York Times best-seller Virginia Henley, author of 25 historical romances, including Notorious and Infamous.

02/12/08
Agented, multi-contest finalist, and Monday Maven Erica Ridley, webmistress for the Tampa Area Romance Authors.

02/13/08
Debut Zebra author and Golden Heart Finalist Delilah Marvelle, author of Mistress of Pleasure.

02/14/08
New York Times best-seller C.L. Wilson, author of Lord of the Fading Lands and Lady of Light and Shadows and president of the Tampa Area Romance Authors.

02/15/08
Grand prize drawing and title contest!

Holy crap, that rocks!

Yes, we know. ;-) And you rock too, because your votes are what will make the story happen! Feel free to link to us on your blog or email the Adventure link to your email loops. We'd love it! Tell your friends, tell your neighbors, tell your flock of pet Mynah birds--the more votes, the better the adventure!!

YOUR TURN: Test your Choose Your Own Adventure skills now. The moment you finish reading this post, you're going to:

A) Squee fangirl (or fanboy) about the must-see upcoming Valentine Adventure on every blog and email loop I know.

B) Throw out all my old clothing, coffee mugs, beer steins, etc, and replace everything I own with items from the ever-stylish Mavenabilia Catalog.

C) Post my own set of snarky CYOA options to the comment section of this post. Mua ha haaa.

D) All of the above, baby! I'm a MaveFave!!!


As always, the Manuscript Mavens would like to thank Chooseco for graciously letting us borrow the CYOA name. Choose Your Own Adventure is a trademark of Chooseco LLC, Waitsfield, VT. Check them out at cyoa.com. The trademark has been used by permission herein. Thanks, CYOA!

Don't forget to join the Manuscript Mavens' quarterly newsletter on the right for advance notice of other exciting upcoming events!

Wednesday, January 30, 2008

Synopses Made Easy

Maven Jacqueline Barbour Everyone wants to be on a postage stamp, but nobody wants to die. --
Standard White Jesus by Timbuk 3


What does that have to do with synopses? Nothing, really. I just love that line.

Actually, I do think it relates to the topic at hand. Because everyone wants to be published, but nobody, it seems, wants to write a synopsis if they can possibly avoid it.

Now, of course, you can get published without a synopsis in some cases (my publisher, Cobblestone Press, doesn't require them, in large part because the one of the owners, Deanna Lee, hates them). But let's face it, if you want to hit the big time, chances are pretty good that somewhere, sometime along the way, you're gonna have to write a synopsis.

What is it about the synopsis that strikes dread and horror into the hearts of otherwise stalwart warriors of the written word? I wish I had an answer for that, but one thing I know is that I've been much less angst-ridden about writing synopses since I attended a local RWA chapter meeting and was provided with a "template" for writing a synopsis. (I should add at this point that, to my knowledge, this template is not under copyright and has supposedly been floating around the industry for "a long time," whatever that means. At the same time, I in no way claim to have originated it, because honestly, I'm just not that smart.)

Now, this template is romance-genre specific. If you're writing a mystery or sci-fi or horror, it probably won't do you much good. But for romance and sub-genres thereof, it's almost worth its weight in gold, especially if you have trouble figuring out what you need to cover in the synopsis and what you can leave out.

The Template

Hero (or heroine's) primary goal, motivation, and conflict.

Heroine's (or hero's) primary goal, motivation, and conflict

H/H come together and clash (usually as a result of mismatch in their goals)

H/H soften toward each other, but then are reminded of why their relationship can never work out.

H/H begin to see a way they can fit one another into their lives, but a catastrophic event occurs and all seems lost.

H/H resolve all internal and external conflicts and live HEA.

Add the following events where appropriate:

* First kiss

* Consummation of the relationship

Using the Template

When you see it all written out like this, it seems almost ridiculously obvious. I know when I first read through it, I thought, "Duh, I knew this." But it turned out that there was something about actually plugging in sentences and paragraphs to respond to those prompts in the order they occurred in the template that made it a lot easier to follow my plot thread through the romance instead of the other way around.

So, if you find synopses a painful exercise in self-abuse (ahem, not that kind of self-abuse!), try using the template and see if it doesn't make it just a little easier.

Last but Not Least

Don't forget the 2008 Maven Valentine CYOA starts Feb 1. Vote for the story time period on the left, and get ready to choose your own adventure!

As always, the Manuscript Mavens would like to thank CYOA for graciously letting us borrow the "Choose Your Own Adventure" name. Choose Your Own Adventure is a trademark of Chooseco LLC, Waitsfield, VT. Check them out at cyoa.com. The trademark has been used by permission herein. Thanks, CYOA!

Tuesday, January 29, 2008

More Synopsis Pondering

Maven Carrie RyanDarcy's post yesterday really got me thinking some more about synopsises (synopses? what is the plural of that word?!) I'll admit it: I've only written two synopses in my life. The first was for my first romance and I actually found the process quite easy at the time. The book was a very action centric plot -- lots of kidnapping and miscommunication and storming out and (gasp!) maybe even a secret baby? So I just followed the trail of the narrative. I'm quite doubtful that I ever delved into the emotions of the characters, of their arc and growth. It was just the facts, ma'am and then moving on.

It wasn't until after I'd finished writing my second novel and sat down to write the synopsis that I realized I'd made a critical plot mistake. Darcy's post yesterday made me think about that experience -- sitting down to boil down the story only to realize that the story was, irrevocably, broken. She's totally right -- the synopsis can really clarify those sorts of things for you! I didn't even bother writing the whole synopsis -- the first paragraph was all I needed to make me realize it was time to move on.

So that leaves The Forest of Hands and Teeth. Per usual, I left the synopsis to the very end. This time I included character arcs, started with a blurb of text from the book that I thought set up the world nicely, and tried to make sure I didn't dump in a whole bunch of backstory. I remember stressing over it, trying to winnow it down to a reasonable length.

But here's the thing I've been thinking about after Darcy's post -- so often we stress and dread the synopsis, but really, in the grand scheme of things, how important is it? I know I'll probably engender some lively debate by saying this (and I'm sure some will point out my propensity to stress over the most minute detail of anything, ahem), but in the end, the synopsis is nothing more than a sales tool. And here's what I've been thinking: if the gist of the synopsis is a story that fits together, and the sample pages are well written, who cares how well written or poorly written the synopsis is?

Of course, there are some caveats -- you still have to have some sort of flow to the thing. But in the end, the synopsis is your way of convincing the agent or editor that the brilliant beginning they have in front of them in the form of sample pages has a logical arc and comes to a solid end. It's your way of saying that you have a plot that holds water and can carry a book. Editors and agents just want to make sure you don't have aliens landing in chapter five, or that your sweet paranormal doesn't turn into a rampaging orgy. They want to make sure they like where your story is going.

I recall a contest I judged a while back that included synopses in the submission. It was amazing to see these from the other side -- not as a critique partner already involved in the story, but as a complete stranger. There was one entry in particular that had a really neat premise but the synopsis got so incredibly bogged down in the details that my mind was spinning in the end. It was too much! It was all plot and no character, no emotion, no arcs.

Now, when I think about writing synopsis it's not about just retelling the novel in a few pages, it's getting that gist across. It's about telling the agent or editor that yes you have a plot and yes it works and yes the characters grow. Think about it from the other side, think about what you would need to know to ask for more, to invest in reading the entire manuscript. That's what we should all be focused on. And if you have the chance to read/critique/judge synopses I highly recommend taking it -- you'll always learn something new!!

Also: Don't forget the 2008 Maven Valentine CYOA starts Feb 1. Vote for the story time period on the left, and get ready to choose your own adventure!

As always, the Manuscript Mavens would like to thank CYOA for graciously letting us borrow the "Choose Your Own Adventure" name. Choose Your Own Adventure is a trademark of Chooseco LLC, Waitsfield, VT. Check them out at cyoa.com. The trademark has been used by permission herein. Thanks, CYOA!

Monday, January 28, 2008

How Your Synopsis Can Help (Yes, You Read That Right)

Maven Darcy BurkeGood Monday Mooorrrning Mavenland! Before I jump into the regularly-scheduled post, I want to make sure you're as excited as we Mavens are about our Second Choose Your Own Adventure kicking off this Friday, February 1 (and I have to shout out that Feb. 1 is also my daughter's 7th birthday!) and culminating on Valentine's Day. We have a rockin' lineup of authors so don't miss even one installment! Be sure to vote on the genre over on the left.

As always, the Manuscript Mavens would like to thank CYOA for graciously letting us borrow the "Choose Your Own Adventure" name. Choose Your Own Adventure is a trademark of Chooseco LLC, Waitsfield, VT. Check them out at cyoa.com. The trademark has been used by permission herein. Thanks, CYOA!

By now you are dying to know how your synopsis can do anything but be a giant pain in your rear. I can't believe I'm saying this, but your synopsis can be a helpful tool, and not just for selling your book. I might not have realized this if Maven Erica hadn't drawn my attention to something quite extraordinary last week.

Let me back up. I have to start with the storyboard and how incredibly easy it makes writing a synopsis. And it's not just the storyboard, it's the prework for the storyboard. Knowing your GMC, story threads, and turning points for each thread basically provides the outline for the synopsis. I'm telling you, I've never written a synopsis so quickly and easily as I did for Her Wicked Ways last week. I propped the board up, whipped open the laptop, and cranked that sucker out!

I can hear what you're saying, "Yes, Darcy, we get that storyboarding is awesome and so far you've told us how it's helpful for writing a synopsis. But how on earth is the synopsis itself helpful?" In a synopsis, you have to boil things down to the barest minimum. Include just the highlights of your story threads, and perhaps not even every story thread. It was this last thing that had me thinking.

You may remember last week I talked about how I divorced my current WIP from another book. In the process of doing that, I was able to tweak the heroine's back story so that it actually made more sense for the story I wanted to tell for her (no more forcing things to fit an existing plot!). Well, when I wrote the synopsis, another bit of her back story sort of stood out as unnecessary clutter. I didn't need it in the synopsis and then I asked myself if I even needed it in the book. I ran it by the Mavens and Maven Erica said, "This is the second time writing a synopsis has streamlined your plot. I find that really interesting. You should blog about that some time." (She didn't say streamlined, but that was the gist, I think.) I hadn't realized writing synopses had done that for me, but she was right! (And it was darned nice of her to suggest a blog topic!)

When I wrote the synopsis for Glorious, I had a similar epiphany and tweaked the story accordingly. Voila! Instant brilliance! All from the synopsis. (Okay, maybe not instant.) Who knew the synopsis could bring the truly important pieces of your plot into crystalline focus? Instead of looking at the synopsis as a dreaded summary I must write, I think I've decided it's my friend. The friend who tells me what really matters to my book. Wow, did I blow your mind? The synopsis is your friend.

Where's the strangest place you learned something about your book or your writing? What tools have been helpful for navigating your plot as you write and revise?

Sunday, January 27, 2008

The Adventure begins soon!

Back by popular demand, Choose Your Own Adventure returns to Mavenland on February 1st for the Maven Valentine CYOA extravaganza.

Vote for genre/time period on the left! Only a few days left!

We will be announcing the list of authors very soon. To get an idea of what the CYOA is all about, here's a link to last year's hilarious Maven Halloween CYOA.

As always, the Manuscript Mavens would like to thank CYOA for graciously letting us borrow the "Choose Your Own Adventure" name. Choose Your Own Adventure is a trademark of Chooseco LLC, Waitsfield, VT. Check them out at cyoa.com. The trademark has been used by permission herein. Thanks, CYOA!

Friday, January 25, 2008

Getting There Is ALL the Fun

Maven Jacqueline BarbourNote: The Maven Valentine pick-your-adventure starts Feb 1! Vote for genre/time period on the left.

Let's face it: Publishing is an industry that wears people down. We collect rejections, we make endless revisions, a request raises our hopes and then that hope is dashed by yet another rejection. As a friend of mine observed in a private email the other day, it can seem a distinctly profitless enterprise.

And yet, we all also know the conventional wisdom: What separates successful, published authors from the unpublished ones is mostly perseverance. We've all heard how many rejections luminaries like Stephen King and J.K. Rowling piled up before finally attracting an agent and selling their first book.

Still, on the days when the prospect of ever finding that one agent or editor who loves your book seems slim, fat, and none all at the same time, it can be awfully difficult to keep the faith.

So, if you're having one of those days, remember this:

No matter where you are in your writing career--whether you're just getting started on your first novel, seeking publication for a completed manuscript, or even atop the New York Times bestseller list--you always have the same two choices. You can keep writing or give up.

We're all in the same boat, we writers. We're all rowing along the same river. Enjoy the journey. Because getting there is the fun part.

YOUR TURN: How do you keep the faith? Have you ever considered throwing in the towel? What do you consider the low and high points of your writing career?

Thursday, January 24, 2008

When to Listen...

Maven Lacey KayeThere are at least three types of critiques in this world. There's the one that you shrug off: a typo or something completely off-the-wall. There's the one that makes you want to scream and beat the other person over the head with your point. And then there's the one that twists your stomach and makes you ill with fear.

I don't have much to say about any of them. I have the least to say about the last one. There doesn't seem to be much one can do when faced with the complete and utter destruction of her book, whether it's due to a pin-sized plot hole that leaks air so stealthily it's nearly impossible to trace, or a story that rambles and writhes and simply won't come out the way it seems in one's head. What about voice? I can think of at least four Mavens who've rewritten most or all of a manuscript because they realized too late they needed to put more dark here, more edgy here, more angst or historical tone there.

Plots: we've replotted entire books to make them make sense. Given TSTL heroes hope for a brighter tomorrow. Deleted reams and reams of subplots that weren't worth the ink it took to print them. Come up with tighter, more saleable books, better characters, and killer hooks.

It can be done. I know it can be done. But it's exhausting work. One wants to believe it never happens to other people. That everyone else writes perfect books the first time around--or, at least, marginally excellent books that require only mild editing.

It's not true, of course. In my head, I know it's not true. But when I think about dismantling a story to build it back up again, it makes me want to close my eyes and hide. What if I do it wrong again? What if it's better, but it's still not great? What about when I send it out for that all-important beta read, and she still finds enormous flaws? Do I just write something else? Is my entire genre, my entire voice then in question because one story won't hinge together without squeaking?

What do you tell yourself? What would you tell me? And if I told you I was going to steal those words of comfort and offer them to someone else, would you want to be quoted? :-)

Wednesday, January 23, 2008

To Link or Not to Link?

Maven Darcy BurkeWhen I decided to get serious about writing historical romance novels in the summer of 2005, I picked up a book I started in 2000. I fiddled with it and then realized I didn’t want it to be the dreaded “first book” that may never see the light of day. I loved the plot and characters too much (still do!). That book was envisioned as the first of a trilogy starring three friends: a fighter, a lover, and a gambler. I still plan to write that trilogy, but for now, I’ve other fish in the frying pan.

The book I started writing then (the dreaded “first book”) was Notorious. As I wrote Notorious, there was a great secondary character who was a bit of a jerk. I loved the idea of giving him a book in which he became even jerkier (hit rock bottom) and emerged as a hero. That was Leo, the hero of Glorious. The original plot of Glorious included stuff from Notorious, such as the hero and heroine of Notorious showing up in a scene and looking all happy and in-love. More troublesome were scenes in Glorious that had to happen a certain way because of something in Notorious. The two books had to maintain continuity for readers. But, once I consigned Notorious to the magical mulch pile under my bed, I was able to free Glorious from its tether. I took out all of the Notorious references/tie-ins and you know what? Glorious was even better!

Did I learn from that lesson?

You know the answer to that if you read my comment to Maven Erica’s post on Monday.

As I wrote Glorious, I realized Leo’s sister was in desperate need of her own book. She was snarky, self-involved, courageous, and funny – in a word, an anti-heroine. Cue The Fox and the Hound Beauty and the Bandit Her Wicked Ways. As I storyboarded Her Wicked Ways I realized I had problems. Timetable problems that gave me a whopping headache. Her Wicked Ways would have to start before Glorious and conclude after because the inciting incident in Her Wicked Ways had already happened when Glorious started. And Miranda (the anti-heroine) is actually a key player during the latter portion of Glorious, which happens during the course of Her Wicked Ways but isn’t really important to the plot of HWW. That particular conundrum and how to write it was driving me a bit batty (even though I’d storyboarded it and had a plan for how to do it).

Because I keep writing secondary characters who seem to have these great backstories and come to me with their own story ideas (needy children!), I naturally had two more linked books that would follow Her Wicked Ways: Tess’s (Glorious’s heroine) sister and Leo and Miranda’s brother each needed a book and I had great ideas for both. They wouldn’t have been as intrinsically linked as the first two because they wouldn’t have taken place concurrently as Glorious and HWW do did.

Do I have a point today? Why, yes, I do. I think I’m prewired to write linked books. I like to read linked books (and by linked I mean both with overarching plot or theme threads or with characters that appear in multiple books), so perhaps that’s why. If that’s the case, why did I decide to unlink Glorious and HWW? For the reasons stated (no more convulsing to make the timetables match!) and because I haven’t yet sold them in a multi-book deal.

But, of course, if asked to link them, I can do it in heartbeat.

What do you prefer to write? Linked books? And linked in what way? Unlinked? What are your thoughts on writing linked books without a multi-book contract?

Tuesday, January 22, 2008

Where to begin?

Maven Carrie RyanFirst, I owe a massive huge tremendous THANK YOU to Jennifer Linforth for volunteering to set the Mavens up with a LiveJournal feed (she even had to email the peeps at LJ to get things straightened out -- how above and beyond is that?!?). So for those of you who would like to add the Mavens to your LJ friends' list, here's the link. Thanks again Jennifer - you rock!!!

A week ago I turned in what are hopefully my final substantive edits for The Forest of Hands and Teeth. Wahoo! Naturally, this has me thinking about beginnings. After all, I've been using edits as an excuse not to write something new for a good few months now. As of now, it's time for me to start writing again. Yikes!

So this has me thinking about beginnings. While my Untitled Second Book under contract is wide open (just has to be a YA), it turns out there's a chance they're going to want me to write another book set in the FHT world with a particular character. I hadn't considered writing this book, and so now I find myself pondering what happens next -- where to start this character's journey. Immediately, a thought came to mind and I followed that trail for a while, getting more and more excited about it.

But then it left me wondering -- should I just follow my first inclination? Should I be spending more time trying out different plots, different settings? Should I try the whole "list 10 things that could happen next" to make sure I'm on the right track? Where do I want to take the character in this book?

I think this is the closest I've ever really gotten to plotting, which is kind of weird. I've never felt the need to know all these things before -- I generally just start with a person in a place with a first line and see where it takes me. Why, all of the sudden, do I feel the need to know exactly where this character goes and what this character does?

I was talking to JP recently about this whole thing and really what it boils down to is my feeling that writing a novel is really just a series of closing doors. When you start, before you write the first word, you have a million possibilities ahead of you. And with every word and every line, you begin to shut those doors, diminish the possibilities. And generally, you can never go back and follow a different path (unless you think the current path is bunk and you have to back-track).

So if I send my character down Path B, I've lost the chance to tell the story about Path A. And to me that's a little sad. And I stink at making decisions in my own life, much less anyone else's. Honestly, sometimes I find this situation to be a little paralyzing -- standing here looking at all those paths and all those doors and wondering which are the rights ones (is there such a thing as the right one?).

Which made me wonder how y'all approach beginnings. Do you go with the first idea that grabs you? Do you think out a ton of possibilities and then whittle them down? Do you worry about closing all those doors or do you love the sense of so much possibility?

Friday, January 18, 2008

The Other Kind of Workshop

Maven Jacqueline BarbourThus far this week, the Mavens have posted eloquently about the energy and inspiration that comes from attending (and presenting) "live" writers' workshops. But the truth is, in this day and age, you don't even need to leave the comfort of your own home to attend (or present) a workshop. Online workshops for writers abound; I get advertisements for just a small percentage of them in my inbox or on Yahoo loops every week. Some of them are even free!

But are they worth it (especially if they're not free)? Can online workshops really hold a candle to the live variety? Or is there something about being there that adds something vital to the experience?

I have to be honest and admit that, as a presenter, I hate so-called distance learning. As a matter of fact, just yesterday I taught a course in my work life via teleconference and WebEx, and I found it as frustrating and irritating as I always do. The problem for me is that I take so many of my cues from the expressions and body language of the people sitting in front of me. But if I can't see their faces, I have to rely on them to tell me when I've confused them or put them to sleep. There's nothing worse than chirping crickets in a teleconference. The presenter has no idea what it means!

But while I'm all for the live version as a presenter, from an attendee's point of view, I sometimes prefer the online variety. Especially if I didn't have to pay for it. (Did I mention before now that I'm terminally cheap?)

Here are some reasons I like online workshops/conferences:

  • If the presenter is covering something I already know or that doesn't interest me for some reason (maybe a portion of the lecture covers the element of romantic suspense or something I don't write), I can either tune out the lecture or skip over it if it comes in writing. (I know, I know, people do this to me when I'm giving an online presentation and it drives me crazy. But I did admit to being the student I hate to teach.)
  • I can spend as much or as little time as I want reviewing a topic, particularly if the workshop lectures are delivered in the form of email. This, to me, is the single biggest reason to love online workshops--they're the ultimate in self-study guides.
  • If the presenter of an online workshop is engaged and responds to your questions, you can often get more "bang for your buck" (or no buck!) in terms of individualized instruction from an online workshop than you can from one you attend in person. In a classroom environment, there are always limitations on the presenter's time and attention. By contrast, in an online environment (again, especially a workshop presented in the form of email or other written forms of communication--like this blog, lol), the only limit to the amount of attention you can coax from the presenter is his or her willingness to engage with you and respond to your repetitive requests for advice/information/what have you.

Despite my enthusiasm for online workshops, I haven't attended very many. (See comment regarding terminal cheapness above.) The ones I have attended have varied in quality, from Cobblestone's excellent Words in Motion conference just a few weeks ago and a very helpful course on crafting pitches I took through Candy Havens' Write Workshop Yahoo! group last year to quite a few others I've found much less useful.

YOUR TURN: How do you feel about online workshops? Have you attended any that particulary stood out, either positively or negatively? And are you as tickled as I am that Maveneer (my personal favorite, I confess) has pulled ahead (as of the time I wrote this) in the voting for Maven term of endearment?

Whatever your favorite MTOE, remember there are just two days left to vote!

Thursday, January 17, 2008

Scrambled Nuggets

Maven Lacey KayeLike the other Mavens, I am both an experienced presenter and an experienced workshop presenter. Like Maven Darcy said yesterday (and all of you have touched on), when I get ready to give a workshop or a presentation I try to think about it from the crowd's POV. What do I like to hear when at a workshop? What sticks with me, and what do I find worthless? I tend to be very me-centered, so anything that falls outside of active listening isn't something I spend a lot of time planning for. That said, I'm getting better at making packets (handouts). As modeling my behavior by adapting techniques from the people I respect around me has become Level A Mode of Operation, packets have been...well, probably the first really big thing I've adapted.

Which has nothing to do with anything, but I'm easily distracted and you guys knew that. This brings me to a scramble of advice:

KNOW YOURSELF

As Maven Darcy said, our workshop is titled Maven Storyboarding 602 Workshop. That's a lot to do with my personal vision for the RWA workshops I want to give. In the first year or so of writing, I ate up everything aimed at level 101. Then I went looking for level 201 stuff, and found...not much. So I wanted to give workshops aimed at writers who'd been writing and even those who are published authors. This is both a personal preference and a marketing ploy. It does have a big loophole, though, and that is that I can't control my audience most of the time.

At National or even at the smaller conferences, participants have a little brochure and a choice. Anyone at the Maven 602 last week (at Eastside RWA) had almost no choice whether they wanted to be hear me or not. If you wanted to go to the chapter meeting, you had to listen to me. (muah ha ha ha.) Same for Deb Dixon this week.

Given our time constraints, however, we won't be able to go into a lot of detail about plots and plot holes and GMC (so keep your ears open for what Deb herself has to say!) and character arcs and 4-Act Structures and Hero's Journey and all that good stuff we pretty much have to assume you already know. Honestly, we're not the go-to people for that stuff anyway; others do a much better job. Some of 'em even wrote the book on it! But at the same time, I don't want to be talking over our audience (though I expect most of the participants to be level-set and more than anything, I don't want to see any glazed eyes).

This uneven setting did come out at the Eastside meeting, although nothing that derailed the presentation. At a complete unrelated "workshop" I did, though, the assumption that only people who wanted to learn more about X would show up really bit me. I sent out a link to what would look like gobbledy-gook to the untrained eye and expected only people who recognized the subject to show up. Uh, not so. Which got me a lot of negative (deserved) feedback and went a long way toward teaching me to focus on my audience.

Ok, this rambled. My point is, yes, soliciting questions during the presentation can be annoying for some. For others (uh, me), sitting through basic rehash makes me crazy. I tend to aim high with a willingness to shoot low if need be. So ask your question. It's up to the presenter to keep the workshop moving forward, not you.

Which brings me to the second:

SOMEONE HAS TO BE THE BAD GUY

And that someone is probably you. As Maven Erica found out/may have already known/admitted to, sometimes you have a really packed schedule and even the smallest amount of tangential stuff can tip the scale. Going over is a pet peeve of some people (although I am more annoyed by people who clearly don't have enough to say) and you wouldn't have planned to talk about something that wasn't necessary to the understanding of the topic (RIGHT?!). You want to hit it all, but how do you do that and keep everyone focused without plowing over some really good discussion?

Going back to glazed eyes, if I get the feeling it's only one or two people (or a percent, I guess) then I might try to take that offline i.e. address it after. If it's a lot of people looking pensive or interested, I will pause to discuss. Often, these pauses give relief to people who are either totally focused or accidentally spacing out (notice my theme of detesting foisting boredom on people?) -- so pauses can be a good tool to keep people interested and following along. On the other hand, they also often come across as a license to derail the topic. I personally prefer to allow a few moments for laughter and discourse before forcing the workshop/presentation to move forward. I believe a well-organized blip in the presentation can create camaraderie, and you've all listed that as a big takeaway from a workshop. The important thing to remember is to have someone who will say OK, back to the subject...

I think that's actually it.

Quick poll: how many of you, based on what I just described about the "graduate level-ness" of Maven 602, thinks the workshop would be easily accessible without too much back story? Are you the kind who finds herself constantly wishing the speaker would explain more, or do your eyes tend to glaze (or both?). What do you think Maven Jackie should talk about tomorrow? ;-)

PS: Don't forget to vote for your favorite Maven term of endearment on the sidebar!

Wednesday, January 16, 2008

It's All About the Chocolate, Baby

Maven Darcy BurkeCheck it out over there on the left, MaveFave is winning (or it was as of 11:00 Tuesday night anyway)! If you haven't voted yet, be sure to make your voice heard!

This week we're talking workshops. I've been scratching my head a little because it's been awhile since I've given one. So I started thinking about workshops I've been to and I've been to a ton (not just writing-related). As I recalled certain workshops and presenters, I came up with the questions posted at the end and realized that since I'm giving the first workshop I've given in a very long time this Sunday, I want to hear from you about how I can make it great.

Mavens Erica, Lacey, and I are giving a workshop called Storyboarding 602 (the number makes it graduate-level!). In this workshop we will deliver a lecture-type presentation about storyboarding and then we'll break into groups to actually develop storyboards. I really like workshops that combine presentations with practical experience. I learn by doing just like I learn by taking notes, which is why my hand is usually ready to fall off by the end.

What makes a workshop or presentation great for me isn't flashy A/V or handouts, but a really dynamic speaker who knows her topic well. They don't have to be the best speaker, but I find that people who are really passionate about their topic naturally do a good job. Right now, I'm so in love with my storyboard I'm thinking of writing a novella about it (not really, but you get my drift) so hopefully that means I'll rock the workshop on Sunday!

Oh, I should tie in the title! Chocolate. I've always found that bringing chocolate to your workshop is a very, very good thing.

What kinds of workshops are your favorite? Interactive, lecture, short, long? What's the best workshop you've attended in recent memory and what made it stand out?

Tuesday, January 15, 2008

That Workshop High

Maven Carrie RyanI apologize in advance for the brevity of my post and for it maybe not making too much sense. I'm turning in my final edits today which means my head has been firmly in the Forest of Hands and Teeth recently. They don't have so many workshops there, as you can imagine :)

I must admit that it's been a while since I attended any workshops, but there is one thing I find in common with all of them -- that high you get when it's done. I don't know if it's being around so many writers, so much enthusiasm, so much love for the craft, but it's nearly impossible to leave a workshop without being completely fired up, your brain in overdrive with new thoughts, new plots, new organization tools.

Even if the subject of the workshop isn't necessarily up your alley, I think you still learn things. Maybe you learn what doesn't work for you. Maybe you learn that something you didn't think worked actually did on occasion. Or maybe you just learned some good industry gossip from the other writers there. But always, you realize that you are part of a bigger whole of writers going for their dreams. And that's pretty darn inspiring.

I still remember the feeling I got at my first RWA National conference -- how I couldn't write fast enough. How ideas sprang from everywhere. I got in my car for the 13 hour drive home and I shut off the radio and wrote a book in my head. It was amazing -- I was so full of energy and drive. Same thing with the last conference I went to -- I met wonderful friends (friendships that have grown since then) and solidified my ultimate goal of wearing that First Sale ribbon.

So if you feel like you're flagging and you need a boost, find a workshop. Bonus if it's something that you need, but remember the key is just being around other people who are excited to be there and who are interested in improving and being the best that they can. I think you'll find your creative wells filled, your dedication a little stronger, and your energy soaring. Plus, you're bound to pick up some great tips in the process!

Manuscript Mavens










Manuscript Mavens